Morph
Morph
Morph
Morph
2D Animation
2D Animation
2D Animation
2D Animation
A small project showcasing my abilities on smoothly changing the objects into another. This project was an assignment from the Ben Marriott's Master Motion Design Course. I took great inspiration from the Ordinary Folk's gradient technique and wanted to try it out for myself.
A small project showcasing my abilities on smoothly changing the objects into another. This project was an assignment from the Ben Marriott's Master Motion Design Course. I took great inspiration from the Ordinary Folk's gradient technique and wanted to try it out for myself.
A small project showcasing my abilities on smoothly changing the objects into another. This project was an assignment from the Ben Marriott's Master Motion Design Course. I took great inspiration from the Ordinary Folk's gradient technique and wanted to try it out for myself.
A small project showcasing my abilities on smoothly changing the objects into another. This project was an assignment from the Ben Marriott's Master Motion Design Course. I took great inspiration from the Ordinary Folk's gradient technique and wanted to try it out for myself.
Prompt
Prompt
Prompt
Prompt
The assignment was to create a morph transition between two objects. In this project, I wanted to push myself even further and try to morph between 3 unrelated objects and somehow connect it together creatively.
The assignment was to create a morph transition between two objects. In this project, I wanted to push myself even further and try to morph between 3 unrelated objects and somehow connect it together creatively.
The assignment was to create a morph transition between two objects. In this project, I wanted to push myself even further and try to morph between 3 unrelated objects and somehow connect it together creatively.
The assignment was to create a morph transition between two objects. In this project, I wanted to push myself even further and try to morph between 3 unrelated objects and somehow connect it together creatively.
Vector Refinement
Vector Refinement
Vector Refinement
Vector Refinement
After coming up with a storyboard, I decided to turn the 3 main objects into vectors. By doing so, it makes it easier to transfer into After Effects and to play with color gradient ideas. Later, I decided not to go with the whole Newton's Cradle due to the gradient looking a bit strange.
After coming up with a storyboard, I decided to turn the 3 main objects into vectors. By doing so, it makes it easier to transfer into After Effects and to play with color gradient ideas. Later, I decided not to go with the whole Newton's Cradle due to the gradient looking a bit strange.
After coming up with a storyboard, I decided to turn the 3 main objects into vectors. By doing so, it makes it easier to transfer into After Effects and to play with color gradient ideas. Later, I decided not to go with the whole Newton's Cradle due to the gradient looking a bit strange.
After coming up with a storyboard, I decided to turn the 3 main objects into vectors. By doing so, it makes it easier to transfer into After Effects and to play with color gradient ideas. Later, I decided not to go with the whole Newton's Cradle due to the gradient looking a bit strange.
Gradient
Gradient
Gradient
Gradient
After dissecting The Ordinary Folk's "Solimar" Project, I learned how they were able to get these really cool animated gradient textures. I created shapes of the colors I wanted in my gradient and then blurred them so they melded together smoothly. After I just used the vector as a mask for these gradients and added some layer styles to make the shape of the object more pronounced. Lastly, I added the deep glow effect to really make the colors glow and vibrant.
After dissecting The Ordinary Folk's "Solimar" Project, I learned how they were able to get these really cool animated gradient textures. I created shapes of the colors I wanted in my gradient and then blurred them so they melded together smoothly. After I just used the vector as a mask for these gradients and added some layer styles to make the shape of the object more pronounced. Lastly, I added the deep glow effect to really make the colors glow and vibrant.
After dissecting The Ordinary Folk's "Solimar" Project, I learned how they were able to get these really cool animated gradient textures. I created shapes of the colors I wanted in my gradient and then blurred them so they melded together smoothly. After I just used the vector as a mask for these gradients and added some layer styles to make the shape of the object more pronounced. Lastly, I added the deep glow effect to really make the colors glow and vibrant.
After dissecting The Ordinary Folk's "Solimar" Project, I learned how they were able to get these really cool animated gradient textures. I created shapes of the colors I wanted in my gradient and then blurred them so they melded together smoothly. After I just used the vector as a mask for these gradients and added some layer styles to make the shape of the object more pronounced. Lastly, I added the deep glow effect to really make the colors glow and vibrant.
Impact
Impact
Impact
Impact
I created these impact frames in Photoshop in order to give the feeling that there really was something getting hit. The impact also helps keep the viewer's attention on the actual movement and physics while simultaneously letting me to try out some different gradient colors as well without distracting the viewer.
I created these impact frames in Photoshop in order to give the feeling that there really was something getting hit. The impact also helps keep the viewer's attention on the actual movement and physics while simultaneously letting me to try out some different gradient colors as well without distracting the viewer.
I created these impact frames in Photoshop in order to give the feeling that there really was something getting hit. The impact also helps keep the viewer's attention on the actual movement and physics while simultaneously letting me to try out some different gradient colors as well without distracting the viewer.
I created these impact frames in Photoshop in order to give the feeling that there really was something getting hit. The impact also helps keep the viewer's attention on the actual movement and physics while simultaneously letting me to try out some different gradient colors as well without distracting the viewer.
Morphing
Morphing
Morphing
Morphing
Technically there was only three actual morphs if it was based on solely vector manipulation. These morphs are the ice cream to the paddle, the drip to the ball, and the ball to the ice cream. It could potentially be four if we count the mental morph of the paddle ball turning into a newton's ball by adding a string.
Technically there was only three actual morphs if it was based on solely vector manipulation. These morphs are the ice cream to the paddle, the drip to the ball, and the ball to the ice cream. It could potentially be four if we count the mental morph of the paddle ball turning into a newton's ball by adding a string.
Technically there was only three actual morphs if it was based on solely vector manipulation. These morphs are the ice cream to the paddle, the drip to the ball, and the ball to the ice cream. It could potentially be four if we count the mental morph of the paddle ball turning into a newton's ball by adding a string.
Technically there was only three actual morphs if it was based on solely vector manipulation. These morphs are the ice cream to the paddle, the drip to the ball, and the ball to the ice cream. It could potentially be four if we count the mental morph of the paddle ball turning into a newton's ball by adding a string.